Misc

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CHESS INSTITUUT

Posters for the chess club of the Sandberg Instituut, using the figure of Boris Spassky.

A2, Risograph and digital printing.

April 2017.

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ECHO ONE

Is it possible
to create a trade union for graphic designers?

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Typeface: Jantra,

made for the occasion.

58×35 cm, Risograph.

April 2017.

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SANDBERG INSTITUUT OPEN DAY 2017

Visual identity of Sandberg Instituut’s

2017 Open day.

A2, Risograph.

January,

February 2017.

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WHO WANTS A BUZZFEED?

LOL, WIN, OMG,

CUTE, FAIL, WTF

 

The dominance of soft news towards information in general, or to say it in other terms, focusing more on what “xxxxxx” wears, his hair style, his tan rather than what he/she actually says or acts.

 

 

A2, Risograph.

January 2017

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THIS TRANSCRIPT WAS PROVIDED TO THE BBC BY THE FEDERAL NEWS SERVICE

Transcript of

Donald^Trump’s January 11

conference. The aim

of this project is to highlight a political speech's construction.

 

 

Tabloid Newspaper.

December,

January 2017.

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THIS TRANSCRIPT WAS PROVIDED TO THE BBC BY THE FEDERAL NEWS SERVICE

Transcript of

Donald^Trump’s January 11

conference. The aim

of this project is to highlight a political speech's construction.

 

 

1 min. movie

designed

for 1920×1080

vertical screens,

January 2017.

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ERICA TYPEFACE

Monospaced typeface.

November 2016

to February 2017,

ongoing.

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BASIC GROTESK OBJECTS - FAUX ET USAGE DE FAUX

Design inspired by

research on Dutch

60–70’s modernism and ideals.

 

Risograph,

Silkscreen.

January 2017.

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BASIC GROTESK TYPEFACE

Typeface inspired by research on Dutch

modernism, with a strong focus on the "Mercator" typeface draw by Dick Dooijes in the late 60s.

 

Typeface.

October 2016 to

January 2017.

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De ruimtelijke metamorfose van Nederland

Participation in the design team of the book “De ruimtelijke metamorfose van Nederland 1988–2015”.

 

Made at

Studio Joost Grootens

 

17×24 cm,

July 2015.

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Spanish poster

Informal poster/map

of Spain regarding the situation towards regional issues for the LAUS Awards in Barcelona.

 

Made with

Studio Joost Grootens

66×88 cm.

November 2015.

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HERMANCE

Typeface inspired by

60–70’s modernism.

Typeface.

2016.

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centre pompidou-metz

Book design for the French museum “Centre Pompidou”. This guide looks back at the first five years of the little brother

of the famous Parisian institution in Metz, France.

 

Made at onlab studio

18×24,8 cm,

May 2015.

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bEYOND THE NEW

Design of the manifesto “Beyond the New”. The goal was to enhance

“industrial boldness” through the use of the Stanley typeface in italic. The publication was distributed during the Milan Furniture Fair in 2015.

 

Made at

Studio Joost Grootens

25,5×34,5 cm.

April 2015.

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FOREIGN OFFICE

Book design for the exhibition “Foreign Office” at Palais de Tokyo in Paris from February to May 2015. The goal was to have a link with the 70s protest movements and the exposition, with the use of the Peignot typeface.

 

Made at onlab studio

16,5×22,4 cm. February,
March 2015.

--------------------------------------------------------------FIVE, CINQ

Five, Cinq is a bilingual newspaper project which question the end of

the printed papers and aims the visual confrontation

of various journalistic sources and influences.

 

Diploma project
at ECAL

 

37,5×52 cm.

June 2014.

--------------------------------------------------------------THE WOW

The WOW! is a fictionnal newspaper exploiting running culture and

American yellow press history
with information

design and typography.

 

Made at ECAL

 

29×41 cm.

March 2014.